Saturday, 18 October 2014

Easy knits (part one)

Here are the three latest additions to my wardrobe. Please excuse the photo of the turquoise top. I took the photo this morning, because I was already wearing it for the day. I realized, belatedly, that I apparently hadn't made any effort to, you know, straighten anything I was wearing, roll down the sleeves or make any effort at all to look sane in the photo. (Alternative interpretation: This is a very HONEST action shot of what it looks like for real on me on a normal day.) At any rate, I then went to have lunch, planning on re-taking a photo later of the top on Flossie... and promptly poured half a bowl of soup down myself. Right now it looks the "before" shot in a laundry detergent ad, so this is the best shot I'm going to get!
My Image M1152, Grainline Linden 1 and 2
All of these tops took a couple of hours each, and I made one a night on Wednesday, Thursday and Friday. I love how productive making knit garments makes me feel, although it's only because I overlock every seam and have (finally!) figured out how to zip through all my bindings and hems with my coverstitcher in no time at all.

MyImage M1152  Cowl Neck top
This is my second attempt at this cowl neck top pattern. Way back in 2012, the second knit garment I ever made was M1152 from My Image A/W 2011. To be honest, the first one I made was a mess, although apparently I was oblivious to this when I made it. I wore it maybe twice but then all the stitching at the neckline fell apart. More importantly: past!self, that size was ENTIRELY too small for you. I made the same size (44) again this week and I am about a size and a half smaller right now than I was when I made that top. This time it does actually fit.

This version turned out much better, especially the cowl neck as I abandoned the back facing in the pattern in favour of a binding, and finished the cowl edge with my coverstitcher.

You can't really tell from this shot on Flossie, but the pattern has dropped shoulders, which I don't find enormously flattering on me. If I made this again I think I might re-do the armholes using my knit sloper. Meanwhile, this is my last piece of this blue figured polyester knit, bought for £2/m in 2012. I got three tops and a wadder out of my piece of it and I still have a decent size scrap left.


Grainline Linden sweatshirt
My other two garments this week were made using the brand new Grainline Linden sweatshirt. My acquisition of this pattern is a sad tale of why you shouldn't make snap retail decisions at 6am when you've just woken up.

I bought 2m of this very light weight sparkly, stripy knit for £2/m in order to get free postage on a larger order I was making a few weeks ago (I'd have more shame about this, but no, really, I don't know anyone who orders online who hasn't done this at some point!). I decided I wanted to use it straight away, and spent an hour one evening going through my patterns looking for something I could use to make a very lightweight sweater-type layering top. There were a few in Burda, but nothing that really grabbed me. Then the next day I woke up (at 6am) and the Linden had been released, and in my early morning bleariness I went: Just the thing! and bought it. Note to self: you will always regret retail decisions made in this way.

Having irrevocably bought an e-pattern, and subsequently experienced shopper's remorse, I decided that logically (spoiler: no logic was involved) I decided that the thing to do was to IMMEDIATELY make up the pattern to assuage my retail guilt. So I did, twice, in View A each time (with the minor alteration of not using the cuff piece).

I am sure there is a way to get stripes to line up on at the shoulder seem of a raglan pattern, but as is abundantly evident from the shot above, I don't know what it is, and I therefore totally failed at it (actually, I didn't TOTALLY fail, in so far as SOME stripes match, but I failed MORE THAN ENOUGH). I did get the side-seams to match at least. And I do really like my hem band and neck band, although the neck-band, having been cut on the cross-grain of a 2 way stretch fabric, caused me buckets of drama (because of course I totally forgot it HAD NO STRETCH, sewed it on, panicked when it was 20cm too short, cut it off, flailed about desperately trying to find a scrap long enough to go round in one piece, etc etc). I originally used the cuff piece as well but the sleeves are LOOOONG and it looked stupid, so I cut them off again and hemmed it. Making the pattern the second time was even easier, mainly because I didn't repeat my user error with the binding and already knew not to bother with the cuffs.


I've another few easy knit projects, and one more complicated knit project, in the pipeline for next week as well, and then I will be finished the knit part of my Autumn sewing and have to contemplate what to do next. I'm keen to make a couple more woven tops, but I also have some non-garment sewing I want to start, and of course I am mad keen to try out my skills on making a coat before the year ends.

Tuesday, 14 October 2014

Shirt-making, part deux (and a pair of yoga pants)

Last month I made my first button front, collared shirt, and I almost immediately cut another one in chambray. Then it took me just about FOREVER to actually make it. I kept whining to myself about how fiddly all the steps were, particularly once I got past the easy parts of the bodice and into the cuffs/collar/etc. As a result, it languished in my sewing room for days at a time, untouched.
Ottobre 05-2012-07 made in denim chambray
Eventually though I got over myself, and here is my chambray shirt made with Ottobre 05-2012-07 again (which I promise I will never wear with my chambray skirt made of the same fabric for fear of looking like that famous unfortunate Britney Spears/Justin Timberlake denim ensemble photo). I was determined this time to get a better fit and a better finish on this pattern, but my results were mixed.

On the fit side of things, my most pressing concern was how tight the first shirt felt across the upper back. This time I added 1.5cm to the upper back (from the shoulder seam to just below the armscye) I used the pre-existing dart to get rid of the excess at the actual shoulder seam. On the plus side, the fit is now exactly the way I want it. However, the way I dealt with the extra width at the shoulder turned out to be a mistake as it made for quite a large dart that I didn't position very well, resulting in a strange Hunchback of Notre Dame shape on the upper back. I probably care about this less than I should simply because 99.99% of the time I can't see it.

I also, thanks to themuslinette who linked me to a tutorial, removed 3cm of ease from the sleeve cap. You may recall that my biggest sewing problem with the original dark blue shirt was a nightmare setting the sleeves in, which required multiple attempts and still looked terrible when I was done. This time, the altered sleeves went in BEAUTIFULLY first time and I was so, so proud of them.... right up to the point where, having actually done lovely flat-felled armscye seams (first attempt at doing this! love the finish on the inside!) I tried the shirt on and discovered the sleeves have a HORRIBLE twist on them. (I know, I know, try my shirts on before I finish the seam, I have learned my lesson!)

As worn by me, showing how twisty the upper arms are. It's less noticeable with the sleeves rolled up.


Since the first version didn't have twisted sleeves (although it had all sorts of other sleeve problems), I know it's not a body vs. clothes fitting problem, which means either (a) I cut the sleeves off grain, possibly by screwing up where the grainline should be through my many many alterations of the pattern (width, length (twice), sleeve cap adjustment, etc) or (b) I set the sleeve in incorrectly, possibly because I altered the shape of the sleeve cap and didn't adjust the position of the mid-point dot. My feeling is that it's some combination of the two factors, possibly slightly more (b) because of the way that the shirt seems to want to twist right from the seam.

At any rate, because I'd finished my seams it was unfixable so I just have to live with it. At first I was all WOE :( my shirt is unwearable :( as a result, but then I wore it for an entire day and actually kind of loved it in spite of the sleeve problem. It probably helps that I rolled the sleeves up all day. So, whatever, I know it's not perfect and I think it is visible even to a non-sewer that it's not perfect, but it's wearable and that's a good start. However, before I make this again, I think I might re-trace and re-adjust the sleeve. I also need to take a hard look at the shoulder seams, which I feel are just a tad too wide.

Some shirt details -- I had horrible problems with the collar stand joining seam last time, this time is much better. I am also pleased with that collar point. (It is the same shirt, despite the seeming colour change!)
I also decided to try some different methods on the cuffs and collar, after being quite dissatisfied with the outcome following the pattern instructions. For this I used Shirtmaking by David Coffin Paige. I don't find this the most user friendly of books, I have to admit, but having struggled through the cuffs and collar instructions I was very happy with the outcome, which noticeably didn't have some of the more frustrating finishing problems of the previous dark blue shirt. Not to say either the collar or cuffs are perfect, but I think they're better.

I was helped in all these endeavours by my fabric, which was the same denim coloured chambray I used for a skirt a few days ago. I love these well-behaved all-cotton fabrics I've been using lately! I top-stitched in grey again and used classic white shirt buttons. Overall, I am super happy with the look of this shirt, even though some of the details aren't quite perfect.

Having finished my shirt on Saturday, on Sunday I had a real yen to sew, but I didn't want to do anything complex. I also really needed to add a really boring staple to my wardrobe: knit yoga pants.

Purple yoga pants using Silhouette 3400

I decided to use Silhouette 3400: Three-Piece Yoga Pants, which I got wayyyyy back when I first started sewing clothes for $1 when I bought another pattern. This was before my irrational loathing of Silhouette and Peggy Sagers took over and I refused to buy any more Silhouette patterns. I have multiple other yoga pant patterns, including a couple in my beloved Ottobre, but that would have meant tracing and adding seam allowances etc etc and I just wanted something really REALLY low effort. Normally I trace even cheap envelope patterns, but this time I just chopped into it, on the basis that I really don't care about this pattern.

My irrational loathing for Silhouette is not actually entirely irrational. First: what is with the front covers of these patterns?! You'd think this was a pattern cover for the top, but no, you're supposed to divine something about the bottoms from this appalling picture. Second: I understand the rationale behind the sizing scheme, but I disagree strongly with the argument that it's better to be given finished garment dimensions only. This is actually the main reason I can't be bothered buying any more of her patterns. I have two Silhouette blouse patterns, one of which I LOVE from a design perspective, but for the life of me I can't work out what size to make and it makes my head ache just thinking about it. (The REST of my loathing of Silhouette/PS is totally irrational and not worth discussing.)



In order to pick a size with this pattern, I sort of... flailed about and picked a size almost at random? Well, that's not entirely true. I compared a pair of knit trousers that I like to the pattern and THEN I flailed about and picked a size at random because none of the pattern sizes seemed to correspond in any way to what I already owned. In the end I made a 12 and it fits pretty much how I expected it to.

Once I'd made the pants, I did have to do some surgery. There was FAR TOO much fabric at the front of the crotch and believe me, it's not an attractive look to have a ton of extra fabric bunched up right at that point. I sewed a much deeper curve, and then I did it again, and honestly I should maybe have gone for a third pass but I was bored of this alteration by then and decided I could live with it. I also have some EPIC flat butt wrinkles going on which I didn't bother to fix this time but will fix when I make this again. And I will make these again, because, irrational loathing aside, this pattern goes together very well. Everything fits together exactly as it's supposed to, and the instructions were very clear. Plus, the shape and style is exactly what I like in a yoga pant. And this is a legitimately fast and easy project: I made these in under 2 hours including cutting out the pattern and re-threading my overlocker with appropriate thread. However, I'm going to have to think about the waistband because I ardently dislike how twisty it is.

Some of my fit photos, including an unfortunate close up of my butt, with flat butt wrinkles beneath D:

This fabric is something I bought really early on in my garment sewing career. It's a heavy polyester knit with plenty of stretch in both directions, and when I bought it I LOVED it. I got a huge piece (5m) from eBay from the lady liquidating her late mother's stash (I have SO MUCH fabric from 2012 that I bought from that lady!). Since then, as I've become more knowledgable and picky about what I'm buying, the weirdly slick finish of the fabric became more and more off-putting, and I went from "how will I ever use this, I love it TOO MUCH" to "how will I ever use this, I have SO MUCH and it's not very nice!". Surprisingly, though, I quite like it made up into yoga pants. I only used 1.6m, so I suspect I might end up making another identical pair at some point with some of the remainder.

Up next on my sewing table: a couple of tops using Butterick 5826 (with some minor changes taken from other recent patterns I've used) and another button-down shirt. I'm in two minds whether to make the Ottobre 05-2012-07 pattern again or whether to move on to another pattern. On the one hand, I have a lot of hard-won knowledge about that pattern now. On the other, I kind of want to make a shirt with a back yoke and some different details. So I am not quite sure what I want to do with that. I also want some more knit tops, and I really REALLY want to make New Look 6303, which to my extreme joy went on half price sale on the UK Simplicity/New Look site just in time for me to snaffle it.

Saturday, 4 October 2014

A chambray skirt (Ottobre 05-2008-13)

The main thing I discovered as I made this skirt is that it is possible to TOTALLY overly complicate even a relatively simple pattern.

Back when I was planning what I thought I might make this autumn, near the top of my list was a pleated chambray skirt. Originally I was going to use the Deer and Doe Chardon pattern, but for a variety of reasons that don't really stand up to any close scrutiny (mainly that I couldn't be bothered to figure out what size I needed when I could just trace the size I always use in Ottobre. Also, I liked the pockets on the Ottobre pattern better than the pockets on the Chardon.) I ended up using this pattern from an older issue of Ottobre, 05-2007-13.

Magazine image and technical drawing for Ottobre 05-2007-13
I traced out my usual size (42), adjusted the length (hard to tell from the photos above, but it's drafted rather short and would have been considerably above-knee length on me) and that was about it as far as pattern work was concerned.

Fabric wise, I used the remainder of a large piece of denim coloured chambray that I have already used to cut out another Ottobre 05-2012-07 shirt like my blue shiny one. (I've decided the key to shirt-making is to do it in little stages, so I'm part way through my chambray shirt and will eventually I suppose have something to show for my work.)

Chambray pleated skirt front and rear, as modelled by Flossie
However, this was the point at which I started to make my life more difficult that it needs to be. The fabric is really shirt-weight (hence I am making a shirt from it....) and so needed some kind of lining or a slip. In retrospect, I should have made a nice A-line slip, because it would have more generally useful, or done a simple A-line lining. However, I felt the need to be CLEVER, and so I decided to interline it.

This decision wasn't entirely about being too clever for my own good. I do love an interlined skirt, and the black and white linen interlined skirt I made this summer with interlining still looks marvellous despite the flimsy linen and going through the laundry AND it doesn't crease as much in wear with the interlining. The differences between that skirt and this one are: 1. I used a shifty, slippery lining fabric on the chambray skirt rather than the nice stable cotton I used on the black and white one; 2. the other skirt is straight, whereas I had to repeatedly handle long diagonal seams on the chambray skirt; 3. pockets, pleats, other details on the chambray skirt vs. absolutely no details at all on the straight skirt.

Chambray skirt interlined interior; top-stitched pleats and yoke
All of this added up to mis-shapen pieces of lining due to the fabric shifting while I was cutting, alarmingly wavy edges because I worked the fabric so hard and a LOT of frustration in the construction process. On about Thursday, I was almost ready to give up entirely. Friday, I woke up and thought that since I do WANT this skirt and the fabric was quite expensive, it was better to see if I could get it finished, even if the actual finish wasn't as nice as I imagined it in my head. Having abandoned the idea of perfection, actually everything began to go swimmingly well, and I am very pleased with the final outcome, which I'm sure is a ~~~~lesson of some sort. Not sure what. At any rate, it still would have been 100% easier to make this garment if I had chosen almost any other lining method known to humankind.

Other than these self-induced construction issues, this is a lovely little pattern. I love the pockets and the top-stitching details that are suggested, especially top stitching the top of the pleats. I top-stitched in barely-visible grey on the blue fabric, and I like it a lot. I'm using the same thread for my shirt as well. The skirt is a nice shape. The only thing I don't love is the size and positioning of the beltloops, which isn't entirely in the right place for my body shape to wear a belt. Still, that's a very minor quibble. I also did a crappy job with my invisible zip, the worst I've done in ages, but that's totally user error and nobody's fault but my own.

As modelled by me :D
This skirt, incidentally, replaces a denim skirt I made almost exactly a year ago. Although I wore it reasonably frequently, in the end there were three problems with that skirt that I could never overcome: the fabric was too heavy for the flippiness of the pattern; although I pre-washed the fabric it subsequently shrank upwards a little bit more with each wash and soon became rather shorter than I liked; and the stretch fabric relaxed so dramatically when the garment was worn that it easily became two sizes wider. It went into the recycling bag a couple of weeks ago. I have very conflicting feelings about getting rid of hand-made garments, but sometimes it just has to be done.

Saturday, 27 September 2014

Butterick 5704; or, In Which I Totally Over-think Pyjamas

I urgently needed some PJ bottoms for the cooler weather. I have MANY types of PJ varying from extra thick flannel for the dead of winter to several pairs of hand-made PJ shorts that I wear through the summer. Historically in the autumn I've always worn reasonably good quality lightweight cotton trouser-length PJ bottoms. I tend to wear my PJs to the point of extinction, and when I moved I decided some of my old pairs were beyond deplorable and threw them away. Originally I sort of thought about buying new, because PJs are not super exciting to make, but then I decided that since I already had a pattern and also some very nice 100% cotton fabrics that I had no specific plan for, I would make my own. Also, I wanted an easy sewing task after my recent shirt-making travails.

PJs made with Butterick 5704, as modelled by a hanger
The pattern I used is Butterick 5704. It's a See and Sew pattern (ie. very cheap) and I got it half price. I originally bought it for view A, which is a knit hoodie pattern where the hood is attached to a V-neck. View C, though, is a very unexciting but wholly functional pair of woven PJ trousers.
Butterick 5704 technical drawing

I've heard such ridiculous horror stories about Big 4 trouser patterns that I took the precaution of comparing the pattern to the most recent version I made of the Ottobre 05-2011-02 PJ shorts, which I knew were quite comfortable and also to a pair of very old, washed-a-million times, and much loved cotton PJs. I mean, these are basically unfitted garments so I wasn't too worried, but everyone trash talks the Big 4 so much on pants I thought I'd best check. And the end result was... that the patterns were only slightly different in shape and size and they were both a good match to my existing PJs that I love. In the end I just cut a size Large and they are totally fine as far as an unfitted pair of trousers is concerned.

Since I had the much loved, and originally very expensive (though I bought them on sale, because I'm a cheapskate) cotton PJs out, I also decided to look at the construction to see if I could learn anything that might allow for similar longevity. They are 100% cotton; every seam was French seamed; and the waist elastic had been overlocked on to the raw edge and then cover-stitched in place. This latter in particular was new to me. Up to this point I've always just made a casing and then threaded the elastic into it. However, this does mean the elastic is free to roll around and twist up inside the casing, which I find irritating.

I copied all of these construction details on my PJ trousers with great success, and I am very hopeful that they'll also last a good long time. Of course, French seaming does at least double the time it takes to make anything, but I figure it's worth it if I don't have to try to mend seams or make replacements later on. Plus, once I had done the cutting out it took 2hrs 15 mins to make each pair, even with French seaming and figuring out the elastic waistband and everything. If they last HALF as long as my beloved old pair, that'll be four and a half hours well spent I reckon.
Paul Smith shirt

Fabric wise, both pairs of PJs were made, rather indulgently, from designer shirting fabric originally made for Paul Smith. The purple checked version was made into a (in my opinion) rather ugly men's shirt that retailed at something like £150. I paid about £7/m including p&p for the fabric and used most of the 2m piece I had. I do have plenty of scrap left over that will do for e.g. pocket bags and waistbands. Originally I was going to use the fabric for a shirt as well, but I wasn't convinced that I liked the colour up against my face when it came down to it, so it might as well be PJs.

The white pair are (although this is hard to detect from the photo) actually a sort of broken white and black check pattern. It too was originally made by Paul Smith into a classic shirt that retailed at over £100, although I've lost the photo of it that I uncovered. I bought 2m of the fabric for £7/m inc p&p. Unfortunately, it was the victim of my own stupidity. Do you ever do stuff and you KNOW it's stupid even as you do it? Well, that was me with this fabric. I was pre-washing a whole load of stuff and I only had this one white fabric. Instead of putting it through by itself, I decided it would be so much more efficient to shovel it in with some pale coloured fabrics.... including a light blue fabric that promptly and patchily shed dye all over it. :| I haven't been able to remove the dye at all, and so PJs was really all it was good for.

 And in conclusion: PJs! Wow, that was a totally overly wordy documentation of a very boring project.

In other news, having worn the blue shirt I finished earlier this week, I spent some time last night making a couple of minor alterations to the back and sleeve and then cutting out a second version in denim blue chambray. I'll be working on that off and on this week, no doubt. I also went nuts and ordered some more shirting fabrics. And I was doing so well on my fabric destashing as well. /o\ Oh, and also, I was out today and went by the little local fabric shop. In their £1 per pattern bin, I found the Coat Pattern of Joy for the black moleskin coat I have been thinking about! It looks horribly complicated, but I am determined to give it a go.

Wednesday, 24 September 2014

I'm back, and with a finished object as well! (Ottobre 05-2012-07)

I am back! I had an unplanned fortnight hiatus from almost everything sewing related for reasons of illness, having loads of other stuff to do and also MOVING IN. Yes, I am finally in my new house, a mere 8 weeks behind schedule. I moved in on Saturday and the ten days before that were just really busy, so I haven't really done much sewing at all. In fact I haven't really been more than skimming the sewing blogs or forums that I normally read daily, so if I normally read and comment on your blog, I'm sorry if I missed anything really exciting that I would normally exclaim with you over!

The last two days I finally had some breathing space and I returned to my on-going WIP, a button front, collared shirt, Ottobre 05-2012-07. I've mentioned this several times already, and here it is, finally! I am overall really pleased with it, even though it has SO MANY little imperfections and problems. This version is kind of a test garment. I really just wanted to see how the pattern came out and have a go at the things I had never done before, such as the collar, flat-felled seams and so on. Accordingly, I used a very well-behaved but also inexpensive fabric (a lightweight 100% cotton sateen in dark navy -- the photo on me is a more accurate colour rendition -- that I got from Tissu for about £3/m). Not that I don't like this version, and I'll definitely wear it, but it's only version 1, for sure.

Ottobre 05-2012-07 as modelled by Flossie and yours truly

The actual pattern is a really great basic of the sort that Ottobre seem to do really well.
Technical drawing 05-2012-07
The original in the magazine colour-blocked which, I have to be honest, is not my thing at all. However, when I was looking for a nice basic collared shirt this pattern really jumped out at me for several reasons: it uses bust darts, which was where I wanted to start with blouse/shirt making; it has a two part collar, which I prefer from a wearing perspective; and in the technical drawing at least it has a nice shape to it, rather than the blockier shirts that I have from other magazines/envelopes. As you have to trace Ottobre patterns anyway and the pieces that are colour-blocked were a single pattern piece on the pattern sheet, it was very easy to simply omit that detail. I also left off the pockets, because I dislike shirts with details over the bust.

I traced a size 44 for this first version of the shirt, and then adjusted it using the bodice of Ottobre 02-2014-05, the woven tee I made a couple of times earlier this year. Basically, those adjustments amounted to: larger bust dart and lower the bust dart. I also did a square shoulder adjustment, and added a LOT, about 6cm total, to the width of the sleeves, as my biceps are like 2-3 sizes bigger than the rest of me in Ottobre sizes, and I also lengthened the sleeves (a little too much, in fact).

Magazine image Ottobre 05-2012-07
Fit-wise, I am very happy with some things and less happy with others. For reference, I have a 10cm (4") difference between upper and full bust, and 15cm (6") difference between full and under bust, with makes me a G or H cup, normally. Like many large busted women my number one pet hate with buttoned blouses is tightness/gaping at the bust apex. Again, like anyone else with this kind of body shape, my only answer in RTW is to buy the size that fits my bust and live with shoulder seams that are halfway down my arms and, because I am mildly inverted triangle shaped, much too much fabric at the hips.

This particular blouse fits really well at the shoulders -- so much so that initially I was like "this is too narrow at the shoulder!" until I realized, no, this is just what a blouse that FITS at the shoulder feels like. It fits well enough at the bust that even when I flap my arms around a lot it doesn't seem to pull or gape in an unattractive way. However, as you can see in the photo, I do have some drag lines that indicate a need for a bit more room at the bust. I am inclined to put this down to a few pounds of weight gain since I last used my bodice piece from the woven tee. I am probably less concerned about the drag lines than a fit purist would be, just because my weight IS always in flux and I know that what fits/doesn't fit one month may be fine or even entirely unwearable the next. If this were a special occasion thing and the first wear was the most important, I'd worry more, but for something I'm going to wash and wear a lot of times while my weight potentially goes up and down, eh, whatever, it's good enough for now.

I do feel like there is some small adjustment I need to make in the back bodice right about at shoulder blade level. I have no idea what it is or how I would do it, but I definitely need just a smidgeon more ease right at that point to be totally comfortable. Also, I normally wear a 42 at the hip in Ottobre and I just traced out a 44 from top to bottom. I probably could shave a little bit off the hip width on this pattern, but I feel like this fit is actually quite nice over jeans -- it's loose without being tent-like.

Horrible sleeve problems -- you can see the puckers on the left
My BIGGEST fit problems are with the sleeves. I made them too long this time, after both my Carme blouses were too short in the sleeves, which is annoying. The revised fit at the bicep is good, but I absolutely HATE the shoulder cap. It pokes up when I raise my arm, and I had an absolute NIGHTMARE easing the sleeve into the armscye. The first sleeve I unpicked and re-sewed at least 6 times, and I still couldn't ease it in without puckers. I had such a nightmare with it that I ended up setting the whole project aside for nearly a week because I was so fed up with it. In the end I decided I would live with whatever happened when I sewed it again, and I would only put the second sleeve in once. Both sides have ugly puckers in the back armscye and the sleeves twist a tiny bit. I am not totally certain what to do for the best with this. I feel like maybe the best thing to do is to find a sleeve and armscye that fits really well and just trace that onto every shirt I make forever and ever, like I have with knit tops, but I need to find that perfect sleeve/armscye pattern first! All I know for sure right now is that this is Definitely Not It. 
Collar. Points are not pointy enough, but the top-stitching turned out OK

I did a bunch of new things with this shirt. I flat-felled all the seams, which went really well except for causing me to burn my fingers a million times when I was pressing folds into the seams before stitching. I made a collar, which was moderately successful although I need to work on getting my points pointier and the place where the collar stand and button band at the front meet is an absolute pig's ear on the inside, ugh. However, having done sleeve vents twice on my Carme blouses, my cuffs on this shirt came out really well, so I am going to assume it's all a matter of practice. Also good were the button-holes and button placement generally -- I feel like I have definitely got the hang of my machine's automatic buttonholer, which is pleasing. I also did a better-than-usual job on (some of) the top-stitching, although it's a bit wonky in a few places.

Disastrous interior shot at the edge of the collar band
Most of that, of course, is in the "invisible from 1 metre away" category of critique, but I really do aspire to turn out beautifully finished items. For this attempt I just stuck to exactly what the instructions said (with some changes in construction order because I was flat-felling my seams and didn't want to set the sleeves in flat as a result). Next time I make a shirt I want to employ some of the methods described in Shirtmaking and some tutorials I've found online and see if I can get any better finish.

I am really glad I made this shirt, but I have to say, shirt making overall does feel time consuming and it's really finicky. Like, you don't just whizz up a seam and call a sleeve done -- you have to put in the vent, and the pleat and the cuff and the button-hole and the button and blah blah blah, it's a TON of work and at the end of it all you've done is ONE SLEEVE. I am sure I will make the second shirt more quickly than this first one, and so on, but it's always going to be quite a time-consuming project. I'd really like to make sure that if I'm spending time on this sort of thing that the outcome is really beautiful and well-fitted. Oh, and that the fabric is great. I really liked making this 100% cotton blouse from a fabric perspective, especially after my last 100% polyester monstrosity. The fabric wasn't expensive, but it was a nice quality and easy to work. I'm damned if I am spending these kind of hours making a really nice shirt and using polyester or polycotton though!

Not that my next project is a shirt. Partly because I'm burned out on this pattern right now, but also for fitting reasons, I am not going to do ANYTHING further with this pattern until I've worn the shirt for an entire day, or maybe even twice. More and more I'm finding that I don't get a really good impression of the things I've made until I've worn and washed them a couple of times in normal, day-to-day circumstances. I definitely want to experience how this shirt feels when worn out in the real world before I make the pattern up for the second time.

So, what next? Well, I COULD make a start on one of my many BIG SCARY outerwear projects, but honestly, I haven't got the patience for that right now. So I'm going to take a little break from complicated projects and make some PJ trousers. More cotton, long straight seams, and elasticated waist bands. Just the chaser I need after this shirt! And also, now it's getting cold at night I'm not warm enough in PJ shorts any more, and I threw away a pile of really disreputable old PJs before I moved. So, urgently required as well! :D

Gosh, that got long. I had a lot to say about shirt-making! How are you all and what exciting things have been happening for you all in September? :D

Wednesday, 10 September 2014

In which I make some progress on all fronts

I'll start with the best, if not at all sewing-related, news: MY KITCHEN IS ALMOST FINISHED. Hopefully by this weekend, all that will stand between me and ACTUALLY MOVING IN is cleaning everything up and then the horrifying prospect of unpacking my kitchen-related belongings from their boxes. \o/ \o/ \o/ The knock on effect will be that I will finally be living in the same house as my sewing stuff, so I will get more done, and also actually I will be able to finish setting up my sewing room (currently partly occupied by things that are waiting to go elsewhere, but can't until the kitchen is finished). It will be SO GREAT when everything is done! \o/

Alas, I've made less progress on my autumn sewing this months so far than I would have liked. I had a major medication change and the last 10-14 days have been pretty miserable from a health perspective as a result. Any kind of close work, including both reading on my computer and sewing, was kind of unpleasant. And then just as I started to recover, my laptop died and I had to run around, buy a new one and set myself up again. Sewing time was in short supply as a result. I feel much better now though AND I have a shiny new laptop, so all is well in my world.

Ottobre 05-2012-07
I did get a few short sewing sessions in and as a result I am about a third of the way through constructing my first Ottobre 05-2012-07 blouse. I am making a version with no colour blocking and I've managed to put together the bodice with flat-felled seams and I'm working on the details of the sleeves at the moment. I am cautiously optimistic about the shirt so far, although all the fiddly details (collar, cuffs, button band, button holes, etc) are all still ahead of me so there's plenty of time for me to change my mind about that! D:

My last project was a total fail, in part because I was using such unpleasant and badly behaved fabric. It's made me appreciate the very nice and easy-to-sew 100% cotton I picked out for this shirt SO MUCH MORE, let me tell you.  The next few things I'm planning on making are all in lovely high quality cottons too. More than ever I am determined that as I work towards having a smaller and higher quality fabric stash that I buy fabrics that I really love, and increasingly I think making sure there's plenty of natural fibres in the mix is going to be key.

Wednesday, 3 September 2014

Rarrrgh

Despite yesterday's sewing-related glumpishness, I carried on with my current project off and on all day, right up until about 4pm I looked at it and went: you know what? Nope! and slung it in the bin.

This project was a last minute addition to my fall plans. It started with perusing a catalogue that came to my mum's house and me spying this Esprit shirt:

I did actually consider buying it, because this isn't actually an expensive shirt, but there were a couple of things I don't like about it. In particular, I have no time for the pleats at the bottom of the placket which I'm afraid would lead inevitably to being asked if I'm pregnant. Also, it seemed like a style I could make more than once if it turned out well. I was very taken by the idea of it in a bright checked fabric, as I have had a similar bookmarked for lo these many weeks on one of my favourite fabric shopping sites but had no excuse to buy it pattern in mind.

First though, I needed a pattern. It's a little bit like the Carme, insofar as it's a pullover blouse with button placket and tabbed sleeves, but the neckline is quite different and that isn't something I have the skills to change on the Carme myself, so I didn't think I could do a straightfoward mod of that pattern.

Patrones 339-2
Having checked my stash and my magazine collection, I decided I didn't have a pattern, as unlikely as that sounds given the size of my Burda mag stash. The closest, but also HIDEOUSLY EXPENSIVE option is a Vogue pattern,
Vogue 1323. Hideously expensive doesn't always stop me, but hideously expensive AND only one useful view because I think the trouser pattern that comes it is vile and would never make it: no. I found a few other alternatives, but the most practical alternative was Butterick 5826, which was MUCH cheaper. I don't like a few things about that top (the D ring sleeve tabs, the sleeves full stop), but I was poised to buy it nevertheless. Then a new issue of Patrones arrived and magically a similar top was in it. This picture is actually NOT the top I made (Patrones 338-19) but from the NEXT issue, as Patrones is nothing if not tediously repetitive. The one I made was very similar except it had bust darts, a tiny bit of gathering at the shoulder and a back yoke, very similar to the Vogue pattern, but the important bit is that the collar/placket etc was like this photo. When I made it I just copied across the shirt-tail hem from the Carme blouse to make it a little more like what I wanted.

However, since I haven't made any tops from Patrones before I decided not to buy the fabric I was thinking about but make it up in some tiny blue and white gingham stuff from my stash.
Not my best idea. It turned out that I HATE this fabric. I've always been dubious about it since I bought it (on eBay second-hand in a huge 6m piece, but for very little money) because it's either 100% polyester or close to it. It has a slight crinkle to it that has an interesting effect in the gingham of making it look slightly stripy from different angles, and I thought, when I tried it, that for polyester it pressed reasonably well. What I didn't realize though until actually sewing was that every time I pressed it, the crinkles flattened out erratically, changing the shape of the fabric pieces after I'd cut them out. I had to cut the collar band out three times and even then it was not quite right. Also, when I went to try it on, it took mere minutes in front on the mirror for the plastic-y polyester texture to grate on my nerves. I hate wearing all poly fabric, it's like wearing a black plastic rubbish bag.

Even if I hadn't hated the fabric... I hated the fit I got from the pattern. The shoulders are WAY off on me, even though I ostensibly cut to size, and at the same time the collar was uncomfortable. I did an OK but not brilliant job with the placket (the Carme instructions give you a MUCH nicer finish) but the several layers of fabric in the placket were too heavy for the fabric and the neckline sagged unattractively -- and I didn't even interface it!

So, lots of rarrrrgh noises later, I tossed the half-made shirt, tossed the remaining fabric (a LOT of remaining fabric, I feel quite guilty) in the pile to go to the fabric recycling box, and abandoned the whole idea for a couple of hours.

Butterick 5826

Since then, I decided that the best plan was to buy the Butterick pattern. I think my actual plan is just to frankenpattern the neckline of view A (or possibly B) onto the basic Carme bodice, because I know that (mostly) fits at the shoulder and I like the sleeve better.

Meanwhile, other news in brief:
- STILL NO KITCHEN. The (second) installation guy is due in the morning tomorrow, now, having been "delayed". I will believe it when I see it at this point.
- I am still thinking about whether I want to make something to wear to this family event. I got as far as laying out pattern pieces on fabric for a new skirt today but then was distracted by the fact that I didn't have a matching zip for it, and ground to a halt again. :| I don't have much time left so I REALLY need to make up my mind.