Thursday, 19 April 2018

And moving swiftly on...

My last post was full of ambitious plans for spring/March and here we are on the 19th April and, as the recent radio silence might suggest, I have to tell you that I accomplished pretty much none of them. The last six or seven weeks have gone something like this:

- Minor illness (just a cold, but ugh, it seemed to go on forever)
- Apathy about sewing anything for warmer weather because it was so. damn. cold. and wintery for most of March, which turned into:
- Apathy about sewing anything at all for any reason, or really doing anything other than sitting around in a miserable heap. (I don't know why, I just had a serious case of the Idon'twannas for a couple of weeks about literally everything that wasn't essential to survival.)
- The Return Of The Major Withdrawal Symptoms, and all the fun times that go with them, which I am just now bouncing back from.

In the midst of all that, I feel like I've pretty much missed the window for sewing for Spring! Over the last couple of weeks, I have managed a few easy, essential projects for my wardrobe:

PJs in pink gingham
I made a couple of pairs of PJs (one capri length pair for spring/autumn, one pair of shorts for summer) in pink gingham using my trusty PJ TNTs (capris: Burda 8721, shorts: Ottobre 05-2011-02).

Navy cardigan and curved hem jumper

I also made two quick and easy repeats from a 3m piece of textured navy knit, using Simplicity 1733 to make a cardigan and Ottobre 02-2016-05 to make a lightweight sweater with a curved/hi-lo hem. I've made exactly this combination of patterns from a single piece of fabric before, and it worked out so well and I've worn those garments so often that I barely even thought about it before I slapped the patterns down on my fabric. The more I sew, the more I love having a library of reliable, repeatable patterns as well as having the constant novelty from my pattern magazines etc.

Although it barely merits a mention on the creativity scale, in the midst of all my misery I did also manage to work through a basketful of tiny, annoying sewing jobs: hemming trousers that I bought unhemmed, fixing seams and hems in garments that had come apart in the wash (and, I must tell you, of the half a dozen things that needed repair, only one of them was hand-made -- it's the RTW stuff that falls apart!) and cutting down/hemming a pair of RTW trousers into shorts.

Even though I didn't get around to the larger, more ambitious projects on my sewing plan, wardrobe-wise I do have almost everything I need for Spring. Everything else -- and in particular my plans for a raincoat -- will just have to wait until I start thinking about cooler weather sewing again after the summer.

For now though, I'm starting to think ahead to summer sewing. I've only two absolute essential garments that I absolutely must make this year: a lightweight cardigan, which should be straightforward and quick, and a pair of shorts, which requires me to re-open the whole question of making trousers that fit and is therefore not straightforward at all. D:

My list of wants (rather than needs), is much longer and potentially more interesting, and covers a little bit of everything from outerwear (I have a slightly odd cotton fabric to turn into a lightweight blazer), to summer skirts and dresses, to woven tops. First up, though, I still need to choose and make a project for my April magazine challenge, and most likely that is what I'll be back with next. :D

Wednesday, 28 February 2018

February wrap-up + March plans

We're in the grip of a particularly cold spell of weather here in the UK so obviously I finished up February by making a short-sleeved, light-weight top. Nothing like a bit of totally unseasonal sewing!

Ottobre 02-2018-01 "Valentine" blouse (Images from Ottobre magazine)

This is Ottobre 02-2018-01, from the Spring/Summer issue that dropped on my doorstep earlier this month. The issue has a bit of a vintage feel to it and I like it a lot. I definitely also want to make a couple of the knit dresses in this issue at some point and I plan to make one of the blouse patterns from this issue for my March magazine challenge. This top was just a bonus that I snuck in to my sewing queue for a couple of reasons: I wanted to make a simple pattern to see what I could transfer from what I've learned about fitting Burda patterns to Ottobre; and I was in desperate need of something quick and easy to make after sewing two more complicated items this month and having more of the same on the horizon in March.

My version of Ottobre 02-2018-01 -- the shoulders do not look too poofy here but...

My top is made in one of the oldest garment fabrics I had in stash -- in fact, I used the other half of the piece I bought back in 2012 for the first top I ever made (which was a disaster that I was insanely proud of at the time but never actually wore). I showed the photo of this new finished garment to a friend of mine and she was like "Your fabric has the screaming faces of the damned on it!" which I can't decide how to take, really. Maybe I should have turned the fabric the other way up.

This is my first Ottobre pattern since I've embarked on my recent "make my tops fit better!" campaign, so there was some trial (and error) involved in choosing the size. I went with a size 40 neck and shoulder, and size 44 through the body. I think I might have been better off with a size 42 through the neck and shoulder, and that is what I will try with my next Ottobre top pattern in March. Other than that, I adjusted for square shoulders (about 0.8cm), high round back (with shoulder darts) and lowered the bust point. I lowered the bust point a LOT, actually, Ottobre seem to draft for a woman whose bust is right up around her armpit.

On me, with visible shoulder poofiness

I made one change to the design of the pattern, which is that having eyeballed the neckline I decided I didn't need to cut the back in two pieces and have the button closure -- I just cut it on the fold so I could pull it over my head. This works fine, although I wish I had cut the neckline in a slightly lower scoop because I find that more flattering to my body shape. However, the biggest problem is that I just don't like gathered shoulders. I knew that going in, of course, but the modelled garment didn't seem to have the poofy shoulders that gathered shoulder garments often have and so I decided to risk it. Alas, my version does have poofy shoulders, and I am not a huge fan. I do like the full, floaty short-sleeve that you get as a result of the wide sleeve, but I probably won't make this pattern -- or anything else with a gathered sleeve head -- again.

And that's it for me for February. I am very pleased with my sewing output this month, even if some of it felt like very hard work at the time. :D

I am also calling an end to my winter sewing. It's actually still very cold right now and spring therefore seems very far off, but I like to have my wardrobe mostly waiting for me to start wearing when the change in season rolls around. For that to happen, I have to start sewing a few weeks ahead. That said, I don't actually have a spring specific wardrobe. In spring and autumn I typically just take out the heaviest clothes from my winter wardrobe, and substitute in a few transitional, mid-weight pieces and layering items. I usually add in a couple of warmer weather garments just in case we have a couple of days of more warmer, sunnier weather.

Here are my plans for March:

Planned raincoat pattern: Burda 08-2004-109 (images from

- My most urgent spring/autumn/transition wardrobe gap is another raincoat. I did make a red raincoat in 2016 that I like a lot. It is still in my wardrobe and I've worn it quite often, but to be honest it's not the most useful colour coat when the rest of my wardrobe is so very heavy on blue, green and turquoise. I'm planning to make one in navy this month. I did consider making a classic trenchcoat, until I tried one on in a shop and remembered that actually, double-breasted, boxy cut, raglan sleeved coats are not my favourite look on me AT ALL, and I would be much better off with a different sort of pattern. The front-runner at the moment is Burda 08-2004-109. Is it weird to make such an old pattern? I feel like it's a pretty classic style but there's a part of me wonders whether it wouldn't be better to find something more recent.

- Long-sleeved cotton button-front shirts are a favourite layering item that I wear year round, so the "Make All The Shirts" plan continues (hopefully less painfully this month). I'd like to get at least one more finished before the end of the month, two if possible.

- My Magazine Challenge for the month is also a collared shirt -- Ottobre 02-2018-10. I don't dislike the March issue of Burda at all, but nothing really jumped out at me that I instantly wanted to make, nor from Knipmode March, whereas I am very taken with the slightly vintage-y look of this blouse. The personal/skill challenge for this one is that I have some doubts about the fisheye darts at the front, as that's a bust fitting method I've never quite managed to sew successfully.

Saturday, 24 February 2018

Slow (but somewhat successful!) shirt sewing + a stress-relieving bag

After I finished my black and white jacket earlier this month, I intended to plough on, full steam ahead, into Making All The Shirts. Well, I did move on to making shirts, but the last ten days or so have been less a full-steam-ahead-shirt-apalooza, and more a lengthy and rather trying experience making a single shirt.

I've made several previous attempts to make a classic, button-fronted shirt, with mixed success. The best outcome I had was a chambray shirt I made using an Ottobre pattern in 2014, which is still going strong in my wardrobe. Since then, though, most of my shirt-making attempts have been unsatisfactory to some degree, mainly because of the fit. Most have ended up going into the recycling/donation box after very few wears because they were just uncomfortable to wear.

My big focus for shirt-making this year therefore is achieving better fit. I decided to start with something relatively simple with a solid coloured fabric (no pattern matching!) and a straightforward pattern. I was specifically looking for: a normal (not dropped) set-in shoulder/sleeve; a cut-on/folded button band; a back yoke; a bust dart; and a traditional collar + collar stand. My final choice was Burda 04-2010-114, which is, I have to admit, fairly uninteresting as shirts go, but has all the features I was looking for. I made this first version in an inexpensive navy cotton with a touch of lycra that I bought in 2016.
Burda 04-2010-114: Shirt pattern (images from
I must tell you immediately, before I start complaining, that I think this is a really nice pattern and I will definitely make it again. All the problems I had with this particular shirt were of my own making! Overall, there are a LOT of sewing flaws in my completed shirt and as far as the finish of it is concerned, it's definitely not my best work. This was kind of depressing because I was really trying SO HARD to make The Perfect Shirt and that is really not what I ended up with. At all. In any way. Instead, I just had sewing session after sewing session where I just. kept. screwing. up.

My very imperfect navy shirt using Burda 04-2010-114

Everything I could have done incorrectly, I did incorrectly. I caught random folds of fabric in seams by mistake. The whole collar/collar stand sewing experience took forever, was utterly miserable and frankly the outcome doesn't bear up to any kind of close scrutiny. I also put the wrong interfacing on the collar and collar stand and made them much too stiff, but only realized how bad it was once I had already trimmed the seam allowances so drastically that unpicking/resewing with a new version would have been a nightmare. I set in a sleeve inside out. Two of my ten buttonholes were a complete and utter disaster. And so on. I don't think I've ever unpicked so much in my entire life.

Collar details. Not my best collar attempt and it took forever.
By the time I was 80% of the way through this shirt I was SO DONE with it. In fact, I was so done I very seriously considered binning it and moving on. At the very moment when I was contemplating shoving it in my fabric recycling bag, however, the post arrived and included a set of tools to install metal grommets that I ordered in order to finish off a tote bag. I took a time out and hit things with a hammer for a while (the results of which are below) and felt much better as a result! My screw-ups didn't end with the hammering, but I had worked off enough aggression to decide I should at least try to finish it.

Eventually, I got to the point where I needed to try on my shirt in order to position the buttons for my bust point. I was totally ready to hate it and declare it a wadder. I put it on and it was like: Oh! OH! This is actually really nice! And it is! There is one small fit problem I want to fix before I make a second version (the bust darts are just a little bit too long) but other than that, this shirt probably fits better than any woven top I have made to date, and it's certainly the best fitting button-front shirt I have made so far.

This is a terrible photo, but I took the other one standing in such a stupid pose that it was pointless.

In order to achieve this improved fit, I did a bunch of things that I have more or less established as my necessary adjustments to Burda patterns: lowered the bust point, did a rounded back adjustment and a large bicep adjustment, and raised the armhole). However, I also refined the fit in a couple of areas compared to previous sewing efforts.
Back view, more sensibly taken on a timer and not in a stupid pose.

- Dealing with the narrow shoulder thing.

I'm really taken with how much better tops and outerwear looks with the shoulder in the right place, which is sadly kind of a novelty for me. It was not something I could ever achieve in RTW clothes because I always had to buy to fit my bust, which reliably meant buying tops that were significantly too large for me through the shoulder. Until recently I've been making exactly the same mistake with my sewing -- sewing a straight 44 to fit my bust -- with exactly the same result. I've been working on this for the last few garments and I think I may now have cracked what my "usual" Burda adjustment needs to be for this problem.

With this pattern, I went back to the Burda size chart and spent some quality time attempting to measure my own shoulders as a starting point. According to the size charts, I'm a size 38 in shoulder width. I have taken this measurement before, but if I am honest, I've always kind of dismissed the outcome as an error on my part. It's very hard to measure your own shoulders, after all, and also honestly, I look at photos and in the mirror and nothing about my body shape says "narrow shoulders" to me. For this shirt, however, I took the radical step of believing the measurement and the Burda size chart. When I traced the pattern, I drew in the shoulder and armhole for both the size 38 and 44. Then I did a pivot and slide adjustment to blend them together, which ultimately meant hacking off just over 1.5cm from the shoulder seam. And it WORKED. This is the best shoulder width fit on a woven top I've achieved so far.

On the other side of the neck/shoulder issue, however, I'm still fine tuning my approach to the neckline. For this shirt I used the neck opening/collar/collar stand in size 44. Looking at it critically, if I pin the centre front of the collar stand together as if it were buttoned, it is clearly too big. It's not going to bother me with this shirt at all, which I will never wear buttoned up. However, I guess I know why so many previous Burda tops I've made have been too wide at the neck and prone to showing off my bra straps. I'm thinking for my next pattern attempt I might try believing the size chart again and make the actual size Burda's chart indicates for my neck measurement (which is size 40). You know, just in case that should happen to work. /o\

- Square shoulder. I have been doing a square shoulder adjustment for years now. With this pattern, the shoulder line is within the yoke piece, and I had to look up how to adjust that properly. Then I was sort of dithering over how much to adjust it by, and decided to try to be a bit more scientific than usual. It just so happened that I had just recently seen on someone's Instagram that they used a little clinometer app on their iPhone to get a better idea of *exactly* how their shoulder slope compared to a pattern. I decided to give this a go for this shirt pattern.

Nothing shocking came of this -- I looked at the slope for the shoulder in three separate Burda patterns I had out, and discovered they sloped fairly consistently at about 15-16 degrees. My shoulder slope is squarer at around 12 degrees. After drawing a bunch of lines, I concluded that I needed to raise the shoulder point of this pattern by 2cm, or, if I were using a pattern with a more standard shoulder seam, by 1cm on both the back and front. This is, in fact, pretty much exactly how much I usually adjust Burda patterns for my shoulders so there was nothing much gained immediately from this work. However, it should help me figure out my adjustment for patterns for other companies.

In conclusion: This is a lot of blather for a very simple shirt, but the upshot of it is that despite my miserable sewing experience and the poor finish I got, I really love this shirt because of the fit. I will definitely be back with another of these and hopefully will transfer a lot of what I learned making this to the rest of my Make All The Shirts plan.

Meanwhile, I also have a bag to show off! This has a rather long history, insofar as I cut it out back in August 2017, then realized I didn't have the right tools to finish it, got fed up, and stuffed it into a bag in pieces. I fully intended to get back to it, but you might recall I then keeled over and ended up in hospital in September last year. As a result, the whole thing went out of my mind until I was rounding up WIPs at the end of 2017 and realized that not only was the bag in pieces but I still hadn't bought a tool to insert the grommets. I finally put the bag together and ordered a grommet tool earlier this month. Hammering the grommets in place proved to be an extremely therapeutic interlude this week, and I am generally very pleased with how this bag turned out! The pattern, by the way, is the free Rope Handle Tote, from Sew4Home.

Monday, 12 February 2018

February Magazine Challenge: Black and white jacket (Burda 02-2018-112)

Originally, when all I had seen were the previews, I had more than half decided to make the latest Burda variation on a theme of wacky top (Burda 02-2018-107) for the February edition of my personal magazine challenge. However, when my copy of the magazine arrived, what actually leapt out of the pages at me was Burda 02-2018-112, a short boxy jacket with piping details:

Burda 02-2018-112 Jacket and technical drawing (images from

Although I hadn't thought to make it until later in the year, I already had a piece of fabric earmarked for a short jacket. I had no particular pattern in mind, so I was quite happy to shuffle my plans around and use this pattern.

My version of Burda 02-2018-112 in black and white cotton sateen

I bought this piece of black and white stretch cotton sateen as a remnant and it was (a) very cheap, and (b) not very big -- only just about 1.5m and fairly narrow (about 130cm wide). I just BARELY had enough fabric for this pattern. Actually, let me amend that: I didn't have enough fabric for this jacket. I had enough for the main pieces but not the front and back facings or even the collar facing. Luckily, I had a similar weight fabric in plain white in stash that I could easily substitute in. Since those parts of the jacket aren't really visible, I didn't feel like this was a problem at all.

Side view on Flossie -- as you can see, I did make some attempt to match across the sleeve/body

I had just about enough fabric to pattern match to some extent, and some parts of my pattern matching are good: the center front, the side seams below the dart, and the side-to-side view across the upper sleeve, front and back bodice. However, the under sleeve pattern piece was very problematic. I probably needed another 0.5m of fabric, maybe even more, to get any kind of match. With the fabric I had I really couldn't do any better so, eh, whatever, I'll take the ostrich approach: I can't see the rear view of the sleeves, so it's not really a problem. :D

The other fabric/print problem is the hem. So, you might have noticed that the hem doesn't follow the lines on the fabric. I could find literally no way to do that with this fabric/pattern combination. Something was going to be screwy no matter how I cut it out, so I decided to focus on the things that were most important to me, as far as matching the print and pattern were concerned. Of course, I'd LIKE a hem that looked like it finished evenly on a black line all the way round the jacket, but I couldn't have it AND have the centre front/side-to-side match.

Rear view, with extremely dodgy under sleeve pattern matching
Design-wise, I made a two tiny changes from the pattern as written. I left off the welt pockets -- my reasons were 5% aesthetics, 10% fabric limitations and 85% not wanting to sew welt pockets. My second change was that I put the fold-back cuff pieces on the bias, partly to avoid having to pattern match and partly because I thought it would look more interesting. Everything else I did exactly as the instructions suggested except that, as usual, I bagged the (plain white satin) lining.

Piping detail at the collar/centre front
My favourite part of this jacket is how the piping turned out and the fact that I got that collar to look really neat and symmetrical. As you can see in the technical drawing, the pattern uses piping at the point where the cuff meets the sleeve, and there is also a long continuous piece of piping that runs along centre front on both sides and up and around the standing collar.

The piping is 3mm piping cord covered in a plain black polyester crepe de chine. This is the first time I've made my own piping. I've put pre-made piping in several bags and on one pair of PJs, with varying degrees of success. For this project I decided to buy myself an inexpensive piping presser foot to see if that made it any easier. I'm definitely glad I bought it -- the piping went in so smoothly with it. The presser foot I bought was only £3 off eBay including p&p, so not exactly a major purchase, and worth it just for this jacket even if I were somehow to never use it again.

The only place the piping foot didn't help was in the twisty bit at the centre front. I ended up sewing that whole section of the seam by hand because even with my machine set to sew as slow as possible, I couldn't get the control I needed to sew it together correctly. I don't do a lot of hand-sewing and I'm not the best at it, but I figured that part of the garment isn't going to come under massive strain at any point, so even my less-than-perfect hand sewing should hold together.

I probably least like the turn back cuffs. I used a heavier weight fabric for the contrast inner because it's what I had in stash that was suitable, and eh, it's OK, but they didn't turn out brilliantly and I couldn't get good points on the cuff edges worth a damn. I also don't love how the jacket looks on me when the cuffs are turned back, in part just because I have a horror of 7/8 or cropped sleeves on jackets, and in part because the length is the same as the jacket hem, and it makes me look like a plaid box.

Naff selfie front view, because my regular front views didn't come out. Please excuse the plant that appears to be growing out of my elbow

Fit-wise, I am moderately pleased. I started with a size 44 and made what I currently consider to be my "usual" fitting changes (square shoulder, narrow shoulder, raise the armhole, lower the bust dart, make a rounded back adjustment with shoulder darts). I feel like I am still figuring out the right amount of rounded back adjustment. I think this jacket would have benefited from just a little bit more upper back room.

Side and rear view on me (the rear view with the cuffs turned up)
I am not 100% happy with the fit of the sleeves at the back, but I had MAJOR problems getting them into the armscye anyway so I am not surprised. I took some height out of the sleeve head before I cut out the fabric, but then when I was actually sewing it I had to take even more out on the fly, and I always think that is a problematic way to fix a sleeve head problem. However, again, ostrich approach: the main problem in on my back underarm. I can't see it, so it's not really there.

Overall, honestly, despite all the flaws in this jacket, I am kind of amazed at how well it turned out. I won't say this was a throwaway project, but I really wasn't prepared for how much I'd like it or how pleased I'd be with some aspects of the sewing. Another win for the magazine challenge approach, since I am pretty sure I'd never have made this without that impetus. :D

Next up: Many shirts. So many shirts.

Wednesday, 31 January 2018

Two easy things to finish January

Having made some things that were challenging this month (the coat, my plaid popover shirt) I finished off January with a couple of very easy things: a tote bag and a very easy knit garment.

Tote bag and navy knit gilet
The tote bag is in the oddest fabric that I purchased way back at the very start of my sewing adventures -- long before I got into garment sewing. It's a weirdly splotchy dyed, sequinned brown corduroy. I don't even know why I bought a metre of weirdly splotchy sequinned brown corduroy, and 2011!me did not keep a note of what it was for, so this weekend it became a tote bag. This is an old favourite pattern, the Ava Rose by ArtsyCraftsyBabe.

The navy knit waistcoat/gilet/bodywarmer/whatever-you-want-to-call-it is an actual clone of a garment I made in 2016 and wore/washed so much that the fabric completely disintegrated in the first wash of 2018. I definitely got my 30 wears in -- and more! At any rate, my new one is made to the same pattern (New Look 6251) in the same type of fabric -- a quilted knit, although this time the quilting has a geometric rather than floral pattern -- and it's the same colour. In fact, the only differences are that (a) I did a tiny fit adjustment (shoulder width); (b) I used emerald green rather than blue and white bias tape to finish the armhole, which you can just see peeking out above; (c) I used a plain ponte rather than the quilted knit for the inner collar to reduce the bulk of those seams and (d) I bought a longer zip. The instructions say to use a 61cm (24") zip, but this was definitely too short and in the original garment I had a gap at the hem and at the top of the collar. A 66cm (26") zip is exactly right.

My plan for February is a mix of my February Magazine Challenge (very probably a wacky top again), woven shirts in some long-hoarded fabrics, and some other random stuff around the edges to keep things interesting.

Giant striped wrap of doom -- now well over halfway done :D
One more update: knitting! I took a pretty long break from knitting most of last year. I wasn't feeling very enthusiastic about it after several very lackluster sweater outcomes and realizing I owned more knit scarves than any one woman in a mainly temperate climate can possibly wear. The only thing I had on my needles is a very pick-up-and-put-down sort of project: the Purl Soho Seed Stitch Wrap, which is an enormous stripey thing in, as the name suggests, never-ending seed stitch. It was last seen on my blog in April 2017 at only 3.5 stripes long. Between April and December I worked on the scarf occasionally, adding another 2.5 stripes in total. This month I felt much more keen on knitting overall, and I've chugged my way through a further 2.5 stripes, for a total of 8.5 (out of a planned 13). I've found it's perfect knitting for in front of the TV, because it requires virtually none of my attention.

Saturday, 27 January 2018

In which a wacky top is somehow not wacky enough

I've been been busily sewing since I finished my navy coat last week, and here are the results.

First, my January project for my 2018 Magazine Challenge. As a reminder, I challenged myself, as many other sewers have done, to make one pattern per month from the 2018 isues of the magazines I receive. I'm a bit more relaxed than most because I allow myself use any 2018 magazine in my collection, and of course I have three active subscriptions: Burda, Knipmode and Ottobre.

Alas, for some reason Knipmode 01/2018 never arrived, although it should have been here in early December. I am actually somewhat furious about this, because I have e-mailed their helpdesk three separate times to tell them the issue did not arrive, and they haven't made any kind of contact with me in response. >:( Admittedly, I have to e-mail them in English and it's a Dutch company, and I would understand if the response were delayed because of the language issue, but not delayed by 3 weeks! Also, let me tell you they've always been able to make themselves understood when it came to billing! I am paying too much per issue to just let this go, but I'm kind of at a loss what to do next given that they just aren't responding in any way on the only contact e-mail address they offer.

Anyway, the non-arrival of my January Knipmode meant I actually only had Burda 01/2018 to choose a pattern from when it came down to it this month. Luckily, there were several patterns than I liked, although, being me, of course I eventually chose to make a wacky top, specifically Burda 01-2018-106:

Burda 01-2018-106 knit top with back drape -- image and technical drawings from
This top is very boring from the front, but on the back it has almost too much going on -- a keyhole back! A weird drapey thing! Thumbholes in the sleeves! I went with the whole design, despite my doubts about the keyhole, except for the thumb holes in the sleeves because I just don't like them. I made a size 40 through the shoulder, blending to a size 44 at the bust and hip. My current measurements put me in a size 44 bust (ish, I am about 101cm compared to their 100cm measurement) and size 42 hip (my measurements are within 0.5cm).

I made a couple of fit adjustments: the sleeves on this are very narrow and so I did a 2cm large bicep adjustment; and I did a 1.5cm rounded back adjustment above the keyhole.

I have to admit while tracing out this top I did a certain amount of whining to myself about the number (6) and size (unusually large) of the pattern pieces, and then I complained to myself some more because you have to cut on the single layer which takes a bit more time. I made my top in a pleasantly drapey white viscose with an animal print pattern in mixed greys. I bought the fabric specifically for this project and, even though it says you only need 1.8m, I definitely needed my entire 2m piece.
My version of Burda 01-2018-106 (front and back view)
 Okay, so positives: I like the fabric, and I think it's a good match to the pattern both in terms of how well the back drape hangs, and in general as a fun print to use with a wacky pattern.

Internal construction details and close-up of the back drape
This is the "sewing course" pattern in this issue of the magazine, which was probably just as well as I don't know that I would have worked out how to handle the back drape without the extra words/images that Burda supplied. As it was, I had to unpick a seam at the end because I accidentally twisted the back drape an extra time before sewing the ends into the side seam. Despite that mistake, I have to say that the way it's constructed is mostly really neat -- the way you construct and attach the drape section to the facing on the inside (see photo above on the left) is really clever and gives you a surprisingly clean finish on the inside as well as the outside. The only construction detail I didn't like is that I don't love that you turn and stitch the non-faced side of the slit feature.

The negative though is that, as surprised as I am to write this, the top is maybe not wacky enough for my taste, which is honestly not something I ever expected to say about a Burda pattern. The back drape in real life is a bit anaemic and not nearly as wacky/dramatic as I thought it might be.

Burda 01-2018-106 side and rear view on me
The main problem is how the top actually fits. In the modelled photo, to me, it looks like it's intended to be a little oversized through the hips -- the back drape seems to hang over the model's hips quite loosely. On me? Eh, not so much, even though that I made a size 44 at the hip and my ACTUAL hips are fully 5cm (2") smaller than Burda's size 44 measurements. If I were an actual size 44 it would be a close fitting top through the hips. In my photos, admittedly, my top is a little hung up on my trousers, but even so, you can see that it is far from loose-fitting and the back drape is more at the small of my back than down over my butt. (You can also see in the side view that the weight of the drape pulls the top backwards, creating those diagonal drag lines below my bust.)

Overall, I don't dislike it -- I am wearing it right now, in fact! -- but I feel like it missed the mark as far as desireable wackiness was concerned and didn't really match the modelled photo the way I expected it to. I am still dubious about keyhole back features. Does anyone need to see that particular sliver of dead-fish white skin? I don't know?

Moving on to my second top, which is the first of a few different woven tops I want to make over the next few weeks for what remains of the winter and early spring. It is also another of my 2018 resolution garments: actually make those long-planned projects! I bought a red/blue/purple/white plaid viscose/cotton blend in February 2016 to make a popover shirt with a front placket. I love popover shirts of this type, but although I've had the idea in my head to make one for a long time, I've struggled to find a pattern to turn into my TNT for this style. Towards the end of last year I bought Burda 6457 in a pattern sale and decided to give it a try as soon as possible to both use this fabric and move that TNT search on a step.

Burda 6457 envelope and line drawings
I made view A, the shorter length with a stand collar and no pockets or shoulder strap pieces. When I opened up the pattern sheets, I had a look at the finished bust size and recoiled. As the pattern has no darts, I had anticipated making say, a size 40 or 42 and having to do a classic FBA and introduce a bust dart. However, this top is designed with 23cm of ease! I also realized as I started work on this top that it has dropped shoulders. I guess you can see that on the modelled photos if you really look, but I don't think it necessarily jumps out at you that that is how it's designed from the photos and line drawings -- or maybe it does, and I was being willfully blind, I don't know.

At any rate, confronted with that much ease, and knowing I wanted to use a smaller size through the shoulders anyway, I decided to do try making a straight size 42, which had a finished bust of 119cm (compared to my actual 101cm bust). Although I suspect I should have narrowed the shoulders further, I decided to leave them as is since they are dropped anyway. I did my usual straight shoulder adjustment and I raised the armhole, which is fast becoming my most favourite adjustment for how it resolves so many irritating sleeve/armhole fit issues I've had for YEARS.

I also did a rounded back adjustment on the back yoke, which was something new to me. Up to now with all my rounded back adjustments I've used either a shoulder or neckline dart, or there's been a centre back seam. It took me a while to find a clear guide to this adjustment when you've got a separate yoke piece and don't want to introduce a dart, so if you need it, I recommend this SureFit video.

My version of Burda 6457 in red/blue/purple/white plaid
I put most of the smaller elements (placket, yoke, cuffs, tower plackets on the sleeves) on the bias as I thought this would look more interesting and also reduce the matching problems. The exception is the collar, which is on the straight grain. I think this was quite effective, especially the back yoke which I think looks great on the bias. The rest of the matching was painful. The front was, of course, cut in one piece anyway, and I truly tried my absolute best with the side seams but the matching did not come out perfectly at all. That's actually a pretty good overall description of my result from this pattern: tried my best, but still not always great.
Some details: the front placket and collar; my sadly non-matchy, flat-felled side seams; the cuffs and tower plackets
Positives: the collar came out really well and so did the cuffs, the latter a HUGE improvement on the crappy cuffs I did on that New Look tunic before Christmas. The front placket came out pretty well on the visible side, although I do not the inside finish at all, which is, unusually for Burda, nowhere near as clean and nice as I see on RTW. I did flat fell seams everywhere but the yoke (which is a two layer clean finish that I did using the burrito method rather than following Burda's non-burrito instructions) and the sleeve/shoulder attachment seam, which I overlocked. I haven't done flat-felled seams in a while but they still came out well except for the matching problems. Although the fine detail matching at the side seams sucks, and you can't quite tell from the version modelled on Flossie above, the sleeve/body plaid matching is great on my actual body (see below!)

Negatives: This was my first attempt at a tower placket on a shirt cuff. This pattern uses the same technique for this as for the main placket, so I also don't like the inside finish. Overall, they are probably not the worst tower plackets anyone has ever made, but they are for sure not the best either! Also, the interfacing I used was just a touch too firm for this fabric. It's not a huge problem, but the front facing in particular feels more rigid than I entirely like.

Fit wise, I am mostly positive. It fits pretty well in key ways -- the bust fit is fine,  and I love the range of motion the higher armhole gives me. However, despite the fact I haven't worn it yet, I've already noticed a tendency for it to slide towards the back, which is somewhat annoying.  It's also a lot of volume, even after sizing down to a 42.
Front, side and back view on me -- just LOOK at my plaid match in the side view across the sleeve though :D :D :D
Overall, I do like this shirt, but I don't think this is going to be my TNT popover shirt. I think I would prefer a pattern with some bust shaping . I also really would prefer a pattern without dropped shoulders, because I think the dropped shoulders make me look even more top heavy/V-shaped than I actually am. If I did make this pattern again, for sure I would want to find an alternative technique to make/attach the plackets, because the inside finish of the placket/sleeve plackets is NOT what I am looking for.

Next up: I'm hoping to finish up a couple of little projects before the end of January, although in one case I am waiting on a zip arriving in the post. After than, more woven tops, plus I need to pick something from my magazines for my February challenge garment!

Friday, 19 January 2018

Starting 2018 off with a coat (Burda 11-2015-116)

My overall goal for 2018, you might recall, is to use my stash to make the things I've been imagining owning for a while now. My very first finished item for 2018 exactly fits this criteria: it's a coat for which I bought the fabric and lining way back in 2012 (long before I had any of the sewing skills necessary to, you know, make a coat!). I've really needed a navy coat for a few years now, so this was also a BIG wardrobe goal.

In all the time I had "make a coat with these fabrics" on my To Do list, I never had a particular pattern in mind, although I did have an idea of the overall style of coat I wanted. I already own a (RTW) winter coat that is a princess seamed fit and flare type of thing, knee-length, with full skirt. That shape is probably my favourite sort of coat overall -- in part because it really suits my figure but mainly, if I'm honest, because I like the way that style flares and moves when I walk. However, as much as I enjoy swooping about with excessive drama, it has a fairly formal and fitted look, and it's hard to wear over bulky layers. My mental image of the coat I wanted to make was therefore something less fitted and straighter, and overall more casual. I wanted something single breasted, with an open neckline (rather than something that buttoned up to the neck).
Burda 11-2015-116 Coat (images from
My major constraint was my 3m of cotton moleskin fabric, which, if you're not familiar with the fabric, is a densely woven napped fabric. Three metres sounds like a lot but it's really only just enough for a knee length coat. I eventually hit upon this pattern from the November 2015 issue of Burda, which is actually a Tall pattern. I haven't seen any English language reviews of it, but as always there are at least a dozen reviews on Burda Russia, and I thought it looked quite nice on a variety of body types. This pattern does have bust shaping -- you just can't tell because the darts are from the neckline and are completely hidden by the collar. My biggest concerns about the pattern were the dropped shoulders (which is not a style I necessarily love on my square-shouldered body shape) and the giant lapels/collar.

I made a (hideous) muslin right at the end of December. I started with a size 88 (a Tall 44), and made fit adjustments I based on my experience making my blue wool jacket: I did a rounded back adjustment, raised the armhole and narrowed the shoulder (even though this is a dropped shoulder style).

Hideous muslin of Burda 11-2015-116
I actually really liked how it looked, even the giant lapels, except I had major shoulder issues. My shoulders are very square, and as a result the shoulder line just looked really odd on me. Normally, so far, I've found that any pattern that calls for shoulder pads can be "altered" to fit me simply by missing out the shoulder pads. On this pattern though, it still looked wrong even without the shoulder pads. I messed about with the shoulders of this muslin for a while, but in the end what seemed to produce the nicest overall outcome was to do a small-ish square shoulder adjustment on top of leaving off the shoulder pad. That smoothed out the line between my shoulder point and the seam of the dropped shoulder on the coat.

My finished coat is navy, which means any and all details are invisible, even massively over-exposed.
Once I had the shoulders figured out, I decided to plunge into the project and I cut it out early in January. As it happens I ended up having to take about ten days off from sewing it up because I had a whole bunch of other things come up that I had to deal with. I just couldn't find the time or enthusiasm to get into my sewing room, not least because I had had to stop just before my least favourite of all sewing activities -- applying interfacing. Yes, even with my new Singer press, I still dislike interfacing. (My press worked brilliantly though, I love it and am 100% glad I bought it!)

Rear view. There is a vent right from below the horizontal band to the hem, which caused no end of problems in the lining phase!
The actual sewing was pretty easy. The pattern is the "Sewing Course" pattern in this issue of the magazine, so it has pretty detailed instructions compared to most Burda patterns. I made no design changes at all, and didn't even really deviate from the instructions except that I chose to bag the lining rather than do Burda's preferred hand-sewing method.

Lining side out
My lining fabric is a flannel-backed poly satin in teal with purple paisley, which sounds vile but goes with the plain navy quite well, I think. The flannel backing is quite lightweight, but I thought it would add some extra warmth to this coat. I have to admit, it only occurred to me AFTER I cut out the entire lining that, oh hey, it has a pattern, maybe I should have tried to do some matching! So, my paisleys definitely do not line up neatly at all. Oops. I mean, I don't really care, because who is going to see it, but it would have looked nicer if had done at least a LITTLE pattern matching. In fact, if I had thought about it, I would have joined up all the front pieces and cut a single piece instead of replicating the bodice/waistband/skirt pieces. There's no real need to piece the lining front like that. (The back, yes, because of the way the vent was constructed.)

My first notched collar (and these are the actual real colours of my coat)
The hardest parts of the sewing were the notched collar, which I had never done before, and attaching the lining at the back to the vent, which I screwed up twice and had to rip and re-sew. The notched collar turned out OK, if not perfectly -- I felt like the outcome was pretty good for a first try at this style.

Other nit-pickery: this is a type of cloth that responds really badly to being pressed with seam allowances underneath. (I know there's a word for when you get the ghostly images of your seam allowances through the fabric, but it escapes me.) There are a few places on my coat where I struggled to get the right balance between actually pressing my seams out and not getting that visible mark. I don't think it looks terrible, and it's definitely in the 'you can't tell from 1m away' category of problem, but eh, I still wish it hadn't turned out that way.

Very fancy snap fasteners -- could NOT get a decent shot of them in situ, so here they are before attachment
The coat fastens with snap fasteners rather than buttons. Since I know I am probably going to wear this coat open/undone a lot of the time, I decided to get these fancy snap fasteners. They were from a vendor on eBay in China. It took a few weeks for them to arrive, but it was worth it for how gorgeous they are. I got a pack of 6 for, I think, £6 including postage -- not cheap, as these things go, but they are significantly prettier than the standard snap fastener and definitely a good addition to my coat!

A very inferior photo on me, sorry for the quality
As far as the fit of the finished coat is concerned, I like it a LOT. I think the shoulder line looks fine, and I really like massive collar. The one fit problem I didn't anticipate is just how LOW those pockets are. Although this is a Tall pattern (and I am officially 3cm too short for Tall) I am not sure how I could have altered the length. If I had taken any length out of the bodice or waist band, it would have raised the back vent to a very strange level on my body. It's not really a problem, but it's definitely a pocket you reach into rather than stuff your hands in comfortably.

Overall, I am really pleased with my coat, and it is definitely a good feeling to get such a long-anticipated project done so early in the year and in good time to get some wear out of in the dregs of winter.

Next up, though, something much less practical for my January Magazine Challenge item!